一直作為(wéi )米(mǐ )路斯.科曼(màn )劇本(📼)鐵(tiě )三角(🐌)(另(lìng )一(yī )位(🃏)是帕培錫,也是本片(piàn )(🤴)編劇之一(yī ))成員(yuán )(🥈)的(de )艾雲(🌰).(🍖)巴薩,當然(rán )也(💤)走低度(📿)戲(xì )劇路(lù )線。同(tóng )是音樂(♑)家的彼德(🖲)與卡(kǎ )洛老友重(chóng )逢(féng ),生(🛍)活狀況大不(🙍)同(💆),你有伴侶我有(yǒu )家庭,然(rán )而(🎿)都有(yǒu )說不出的不明(😻)朗,唯有以(🥀)酒與音樂代替口水。全片(piàn )(📎)推展不問目的,只在(⏯)剎那間的意圖,行(háng )行(🌊)企企比起科曼(🙂)更義無反顧,卻有(🤸)生活淡如流水的詩(shī )意和繆(miù )思,叫觀眾(👃)聯想到二(èr )十年後的伊(yī )力(lì ).盧(lú )馬。巴薩(sà )(🐀)鍾愛(ài )音樂(lè )的程度不下於(yú )文字和(hé )電(💹)影,古典音樂與民(mín )間音(yīn )樂於全片迴轉(zhuǎn )迴盪,難怪成了奇斯洛夫(fū )斯基十(💯)大心愛電影之一。 (🤔) 康城(⏲)影展青年評(📸)審團(🔷)獎,美國(🥅)全國影(🏃)評人(🏴)協會特別獎 (🌱) (👄) 這(🖍)部1966年的珍品(🚽),是捷克新浪潮短暫生命中(🔪)最(🐂)佳(jiā )作品之(zhī )一。成名音(yīn )(📬)樂家(🕺)到小(xiǎo )鎮探訪舊(jiù )同(⛴)學,舊(jiù )同學是(shì )個(gè )窮音樂(lè )教(🔬)師,有時在喪(🚪)禮上吹(🖱)奏(💛)樂曲。平凡(fán )的素材(🈸)在巴素手裡,變(biàn )出風趣(qù )復(👆)罕見的旋律(lǜ ),一部憂鬱的喜(🍝)劇,或灰色喜(😼)劇。 - Dave Kehr, Chicago Reader Ivan Passer's (Cutter's Way and Creator) last film to be made in his native Czechoslovakia is about friends – musician Petr and music teacher Karel – reunited when Petr returns to town for a performance. Passer frequently collaborated with Milos Forman and the episodic, low-action aesthetic that was evident in Forman's early work can be seen here. Years of separation have bred apprehension between the two men, and Karel's simmering jealousy makes their meeting all the more awkward. Eventually, the barriers crumble enough for the pair to freely discuss their lives. The film's simple beauty is in the details of the men's reacquainting themselves with each other, discovering each other's regrets and unfulfilled desires. Alive with pathos, humour and insight. (⛲) Special Award, National Society of Film Critics Awards (🛤) Its simple city mouse-country mouse story involves the meeting of two former schoolmates as they prepare for a small-town concert. Enlivened by Passer's flair for grotesquerie, this unassuming masterpiece maintains a delicate balance between hilarity and despair. (🏿) - Elliott Stein, Village Voice (🌓) Source HKIFF Czech New Wave 2006
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